Harry Kramer and Barbaralee Diamonstein-Spielvogel, at reception of marriage to Trudy C. Kramer, 1969, NYC.
Exhibition postcard for “Harry Kramer Paintings: Homage to Izaak Walton,” 55 Mercer Street Gallery, January 6–24, 1973.
Kingsley, April. “Harry Kramer,” Artforum, April 1973: 85–86, illustrated (55 Mercer Gallery exhibition review).
Artists in “Personal Choices, Five Younger Artists: Selections by Harriet Vicente” show at Guild Hall, East Hampton, New York, August 17–September 8, 1974. From left to right: Charles O’Connor, Harry Kramer, Royalyne Ward-Davis, Charlie Hewitt, James Bohary.
Harry Kramer with John Matherly in front of works from Kramer’s Sugarfoot series (1976). Solo show at 55 Mercer Street Gallery, NYC, 1976.
Exhibition postcard for “Harry Kramer: Sugar Foot Series Drawings and Paintings,” 55 Mercer Street Gallery, New York, NY, October 16–November 3, 1976.
Harry Kramer with Joan Rosenbaum, director of the Jewish Museum, NYC. Works in background left to right: “International 50” (1984), “Untitled” (1987), and “Untitled” (1987).
Harry Kramer with “Not Unworthy the Perusal of Most Anglers” (1972) in his studio at 85 Walker Street, NYC.
Exhibition catalogue for “Abstract Painting,” New York City: 1981, Hofstra University Lowe Gallery, NY, February 8–April 5, 1981.
Exhibition catalogue for “Six Painters” (Gregory Amenoff, Jake Berthot, Howard Buchwald, Louise Fishman, Harry Kramer, Katherine Porter), The Hudson River Museum, Yonkers, NY, May 25–July 17, 1983.
Invite for “Major Paintings of the 70s” at Charles Cowles Gallery, NYC, 1998. Photo of: “Orca” (1972) in Harry Kramer’s 85 Walker Street studio, NYC, 1998.
Ward Mintz, art consultant, standing in front of “Orca” (1972) with Harry Kramer at his 85 Walker Street studio, NYC.
Installation shot of solo show at Charles Cowles Gallery, NYC, 1994, photo Peter Muscato. Left to right: “Good Morning Sweet Toots” (1993), “Venuvian, Homage to Sun Ra” (1993), “My Reverie” (1993), and “Occupation” (1993).
NYC residence of art dealer Charles Cowles photographed in 1998. Harry Kramer’s painting, “Lover Lu” (1991) featured on the right.
A selection from Harry Kramer’s “Baby Paintings” series. Clockwise from left: “Glitch” (2002), “Echo” (2002), “Fossil” (2002), “Ringer” (2002), “Flapdoodle” (2002), and “Hotel” (2002).
Installation shot of Solo show at Charles Cowles Gallery, NYC, 2003. Paintings left to right: “Hybrid” (2003), “Infidel” (2002), and “Redemption” (2003).
Judge Charles (Tony) P. Sifton, Chief Judge of the Eastern District of NY, photographed in 2000 in front of Harry Kramer’s painting “Orca” (1972) at Kramer’s 85 Walker Street studio, NYC, later installed at Federal Courthouse, Brooklyn NYC.
“Harry Kramer: Giotto is Contemporary” profile in The East Hampton Star, 17 April 2003 by Robert Long.
Harry Kramer Solo show at Ameringer McEneryYohe Gallery, NYC, 2003. Left to right: “Alfa” (2002) and “Wellstone” (2003).
Harry Kramer Solo show at Ameringer McEneryYohe Gallery, NYC, 2003. Left to right: “A Dance Not Danced” (2003), “Harbor” (2003), “BYP” (2002).
Harry Kramer’s studio in East Hampton, New York, July 2005. Left to right: selection of Baby Paintings series and “Sequentially, Trudy” (2005).
Left: “Peace Tower” (1966), led by Mark di Suvero to protest the Vietnam War, with contributions from 200+ artists, including Harry Kramer. Right: Recreated by di Suvero and Rirkrit Tiravanija for the 2006 Whitney Biennial to protest the Iraq War.
Aretha Franklin, Chuck Close, Harry Kramer, Trudy Kramer, Leslie Rose Close at the Parrish Art Museum Summer Gala, Water Mill, NY.
Harry and Trudy Kramer, East Hampton, NY home in 2005, with their pets Hooker, Lulu, and Jack in front of “Patriot” (1991), now in the collection of the Metropolitan Museum of Art, NY.